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Berlin-based Georgian artist Thea Djordjadze is showing A well of night at Sprüth Magers in New York through Oct. 24, 2026. The installation brings new and existing works into dialogue with the gallery’s neo-Renaissance architecture, using materials, reflections and changes to the floor to shape how visitors experience the space.
Georgian artist Thea Djordjadze has returned to New York for the first time in a decade with A well of night, her first solo exhibition at Sprüth Magers’ New York gallery. On view through Oct. 24, 2026, the installation places new and existing works in conversation with the building’s neo-Renaissance architecture, making the gallery itself part of the visitor’s experience.
The exhibition combines steel and aluminum sculptures with new plaster relief paintings. Pigment is worked into the paintings’ porous surfaces and built up in layers across a creamy plaster ground, producing forms that the report describes as painterly reliefs, at once paintings and sculptural objects. Some earlier pieces appear alongside the new work, including sculptures that Djordjadze has reconfigured for this presentation.
The room’s appearance also changes how the works are encountered. Djordjadze covers the gallery’s dark hardwood floors with light-colored vinyl, an intervention that contrasts with the exhibition title’s suggestion of darkness and blurs the room’s spatial boundaries. A steel vitrine holds a print sealed behind plexiglass; its reflective surface brings the surrounding gallery into view.
The vitrine form dates to 2017 and refers to mid-century display cases made for Tbilisi’s archaeological museum by Georgian anthropologist Alexander Javakhishvili and painter Avtandil Varazi. The report identifies this reference as a connection to Djordjadze’s Georgian roots. It does not specify which earlier works have been included or provide a full inventory of the exhibition.
How the Gallery Shapes the Work
The exhibition shows how architecture can function as part of an installation rather than as a neutral container for objects. Floor treatment, reflections and the placement of sculptures affect how visitors read the space and the works within it. That approach gives the exhibition’s New York setting a direct role in its presentation.
For visitors, the result is an arrangement in which perception shifts between object and surroundings: the vitrine reflects the room, while the floor treatment changes its visual edges. The show also offers a view of Djordjadze’s continuing practice of revisiting works and changing their relationships to fit a particular space. These are features of the exhibition as described in the source report, rather than evidence of a broader change in the artist’s practice.
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A Decade Between New York Shows
A well of night is Djordjadze’s first solo exhibition at Sprüth Magers’ New York location, and her return to the city comes ten years after her previous visit, according to Design Milk. The report describes her as a Berlin-based Georgian artist known for integrating installations with their surrounding architecture to create site-specific sculptural environments.
Djordjadze has described exhibition-making as a process of responding to a space and its contents. In a 2024 interview with Elephant, she said the building, design and architecture matter to her, and that decisions emerge through an interaction among the artist, sculpture and building. Her comments offer context for the choices in the current show, including the altered floor and the reflective vitrine.
The artist has also described her works as not quite finished, saying she continually reevaluates them in relation to one another and to each new exhibition space. The source report presents this as her approach to making and arranging work; it does not give a separate timeline for the development of the current installation.
““For me, the building and the design and the architecture are very important.””
— Thea Djordjadze, speaking to Elephant in 2024
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Details the Report Leaves Open
The source report gives the exhibition’s closing date but does not list visitor numbers, public programs, ticketing details or a complete checklist of works. It also does not say whether further exhibitions or events connected to A well of night are planned. The report’s account of the artist’s intentions is based on her cited remarks and the author’s description of the installation.
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Exhibition Runs Through October
A well of night remains on view at Sprüth Magers in New York through Oct. 24, 2026. The source material identifies no additional confirmed milestones or scheduled announcements. The next date specified for the exhibition is its closing date.
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Key Questions
Where is Thea Djordjadze’s A well of night showing?
It is on view at Sprüth Magers in New York.
When does the exhibition close?
The exhibition is scheduled to remain on view through Oct. 24, 2026.
What kinds of works are in the exhibition?
The show brings together new plaster relief paintings, steel and aluminum sculptures, and existing works, including sculptures Djordjadze has reconfigured.
How does the gallery space figure in the exhibition?
Djordjadze responds to the building’s neo-Renaissance architecture. The installation includes light-colored vinyl over the dark hardwood floors and a reflective vitrine that brings the surrounding space into view.
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