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Design Milk’s Friday Five profile examines Veronica Mishaan’s renovation of a 6,250-square-foot penthouse in Bogotá. The project updates a family apartment while retaining artwork, furniture and objects tied to more than 30 years of memories, with design choices also shaped by views of the Andes.
Design Milk’s Friday Five profile looks inside a 6,250-square-foot Bogotá penthouse redesigned by interior designer Veronica Mishaan, documenting how the renovation adapted a family apartment for its owners’ current lives without removing objects and memories accumulated over more than 30 years. The project combines retained art and furniture with a reworked layout, custom finishes and new furnishings, while drawing on views of the Andes.
Mishaan told Design Milk that the apartment had been in the owners’ family for more than 30 years. They wanted it updated for a new stage of life, she said, but did not want the renovation to erase the history associated with the home. Existing furniture and artwork were reused, sometimes in different rooms. A desk now in the primary bedroom, for example, had previously stood in the living room.
The designers changed the layout and added custom-tinted, wide-plank oak flooring, smooth plaster walls and a combination of recessed and decorative lighting. The primary suite was moved and finished with navy wallcovering. Its furnishings include a bed upholstered in paisley wool, a Kelly Wearstler bouclé chaise and bench, and custom shelving in brass, wood and glass. The primary bathroom pairs pink marble with blue-and-white waterjet marble.
Other rooms were tailored to the family’s use of the home. The guest rooms include custom bunk beds for visiting grandchildren, with Temple Studio wallpaper in one room. The family room layers dark blue grasscloth walls, a parchment-wrapped bookcase, patterned carpeting and mohair upholstery. In the main living room, artwork by Peter Halley sits alongside a custom sofa and tables, arranged in a circle intended to support conversation. Design Milk credits the project photography to Max Burkhalter.
A Renovation Built Around Family History
The project offers a specific example of a renovation framed around continuity as well as change. Rather than treating the apartment’s history as something to clear away, Mishaan’s approach retained personal collections and relocated furnishings while adjusting the home to its owners’ present needs. That balance is the central design challenge described in the profile.
The residence also shows how the designer connects interior choices to place. Mishaan said the Andes views informed her thinking, while earthy colors, botanical references and natural materials echo the surrounding landscape. In the playroom, for instance, sage-green millwork sits with honey-oak floors and natural marmorino plaster. These details make the setting part of the design account, rather than presenting the rooms as interchangeable interiors.
For readers interested in architecture and interiors, the account is useful as a project-level look at how a designer works with a client’s existing art, furnishings and family requirements. It is a design profile, not an independent evaluation of the renovation’s cost, construction process or performance.
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From Family Practice to Global Studio
Mishaan grew up around design in Bogotá and Cartagena. Her mother, Susana Mishaan de Millán, was a designer, and Mishaan credits her with inspiring a longstanding interest in painting and fine art. After studying quantitative economics and international relations at Tufts University, Mishaan considered pursuing painting. At her father’s encouragement, she began helping her mother with her interior design practice.
She worked with her mother to build M De M Designs, creating bespoke interiors and handcrafted furnishings. After six years, Mishaan took sole leadership of the firm and developed it into Veronica Mishaan Design House. The profile says the practice now has offices in New York City, Bogotá and Bermuda, and works across residential, hospitality, commercial and product design.
Mishaan describes her design method as an evolving response to each project, balancing materials, proportions and flow rather than repeating one style. The penthouse profile puts that stated approach into a family home where contemporary additions sit beside long-held objects and a personal art collection.
“The client wanted this home to be updated for a new stage of life, but didn’t want to erase all the memories made there over more than 30 years.”
— Veronica Mishaan, speaking to Design Milk
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Project Details Not Supplied
The supplied Design Milk material does not state when the renovation was completed, what it cost, how long construction took or which contractors and architects were involved. It also does not provide the owners’ names or a detailed account of how the layout changed room by room. Those details cannot be established from the profile.
The article presents Mishaan’s account and design rationale; it does not include a separate client interview or independent assessment of the finished home. The cited design choices and project description are attributable to the profile, while claims about how the renovation met the owners’ needs remain the designer’s account.
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More Project Details Could Follow
The supplied source describes a published design profile rather than a scheduled announcement or upcoming project milestone. It does not identify a forthcoming event, additional reporting date or next phase of work at the penthouse. Readers seeking further information would need later coverage or project details from Mishaan’s studio; no such next step is confirmed in the material provided.
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Key Questions
Who designed the Bogotá penthouse?
Veronica Mishaan designed the 6,250-square-foot apartment, according to Design Milk’s Friday Five profile.
What was the main goal of the renovation?
Mishaan said the owners wanted the home updated for their current stage of life while preserving memories and belongings associated with more than 30 years in the family.
What existing items were kept?
The profile says furniture and artwork from the owners’ collection were reused and moved to new locations. It gives a desk moved from the living room to the primary bedroom as one example.
How did the Andes influence the interiors?
Mishaan said the mountain views helped inspire the design. Earthy tones, wood and botanical motifs connect parts of the interior to the surrounding landscape, according to the profile.
Are the renovation cost and completion date known?
The supplied report does not give a project cost, construction duration or completion date.
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